In the wake of the election of President Trump, we have to acknowledge that there was great anger on the part of the electorate and great yearning too.
I think of the Emma Lazarus lines inscribed on the Statue of Liberty, think ironically of these lines, for today’s wretched, huddled masses, it seems to me, who may be counted by virtue of my education among the moralists and elitists, are the rednecks and other uneducated white working class (WWC) folks who elected Trump.
Our yearnings are theirs too. Who among us doesn’t want freedom, however we define it? Freedom from fear and want? Freedom from oppression by the government or other institutional forces who may despise and/or underestimate us?
The WWC have long disdained the long arm of the law and government that tells them what to think and how to express themselves. They can’t express their doubt or anger in their limited vocabulary (and whose vocabulary is not limited?), so they vote for the anti-PC candidate.
As Andrew Marantz writes in the New Yorker, Mike Cernovich, whom I profiled last month, became a prominent vessel of pro-Trump populism by saying unconscionable things on Twitter. “This election was a contest between P.C. culture and free-speech culture,” he told me the day after Trump’s victory. “Most people know what it’s like for some smug, élite asshole to tell them, ‘You can’t say that, it’s racist, it’s bad.’ Well, a vote for Trump meant, ‘Fuck you, you don’t get to tell me what to say.’ ”
In this yearning for freedom to say what one thinks, whatever one thinks, however “unconscionable,” whatever anyone else thinks of what one thinks, the wretched masses are like artists.
For if the essence of art is the yearning for freedom, so too the votes of the WWC. Now, the WWC may not have the skills or materials to be actual or actualized artists, but they do have human voices and human dignity and are worth listening to. Worth closing our yaps for, just a minute, and listening to. Not to worry, we’ll have our chance to talk again. And we’ll have our chance, again, at the ballot box. Our chance to vote and perhaps to vote for a candidate who’s more to the liking of a greater number of the people as a whole.
Meanwhile, it may be time to learn a little humility and bear up under the weight of what we might think of as our own oppression. For there is art in suffering, too, and learning. We don’t want to end up, after all, like Robert Frost’s runaway boy, in the first poem of his Boy’s Will (1913), who concludes, in perverse, puerile triumph,
They would not find me changed from him they knew —
Only more sure of all I thought was true.